Before the gods, there was tech.
Before Pantheon, Mohsen spent a long career inside one of the most demanding companies in tech. The work was good. It shipped things millions of people used, and it taught him how big, complicated projects actually get made — the part most people never see.
But the stories he kept coming back to at night weren’t about product roadmaps. They were the ones he grew up on. Thunder gods. Underworlds. Wars between families who happened to be divine.
The question that wouldn’t leave him alone.
Every culture built its own pantheon. The Norse had theirs, the Greeks theirs, the Mesopotamians theirs — each one complete, each one sure it was the real one. So Mohsen asked the obvious question nobody seemed to be answering in comics: what if they were all right? What if every pantheon was real, at once, in one world?
That world needed a spark to set it off. He found it in a murder. A god is dead, every pantheon has a motive, and the peace between them is one accusation away from another Ragnarök.
So he left, and built it.
Mohsen partnered with artist Willi Roberts and letterer Lydon White and spent the next stretch of his life turning that question into a book. Pantheon: The Elemental Artifact is 174pages of full color, collecting the complete first arc — three pantheons, three young gods who shouldn’t trust each other, and one world holding its breath.
It isn’t a retelling of one mythology. It’s the argument between all of them.
